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Trial By Tandem, Alan McCulloch (1951)
George Allen & Unwin 236pp
A nicely observed account of an artistic Austrialian couples'
tour through France and Italy a couple of years after the second
world war

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The author and his wife, Ellen are killing time between jobs. At this
point, in late 1940s, he is old enough (probably about 40), to have progressed
from life working in a bank, to that of a professional art critic. Later
in life, the McCulloch's evolve to become some of the most eminent figures
in art curation in their native Australia.
In Paris for a conference, the couple buy a tandem on a whim and set
off on an Odyssey through France and Italy. This is a book about cycling
only in the sense that the tandem exists and a generally unwelcome gooseberry
in their relationship. Indeed, McCulloch insists that despite her time
pedalling behind him, his wife never properly learns to ride a bicycle.
Certainly, the experience of cycling and travelling on a two wheels take
up very little of the story.
Their journey, and his writing style, are gentle - although the prose
is shot through with perceptive observation and taut phrasing. "A
curious feature of bicycle travel is that, although you are whistling
along, utterly unprotected, through the atmosphere as it were, you have
a strong sense of privacy, the feeling of being unobserved. Consequently
one soon develops a lack of self consciousness about clothes, and quickly
sheds all items superfluous to the job in hand". Thus, McCulloch
introduces his being barred from entrance to the casino at Monte Carlo
because he resembled a tramp.
They stay at rowdy youth hostels, enjoy the hospitality of a Vicomte,
search for signs that Van Gogh is remembered in Arles and eventually return
the tandem to the dealer from whom they procured it in Paris. The book
has a witty observation about all of them - even his wife being with child
by the end of their travels.
Throughout, McCulloch brings the sensibilities of an artist to his account,
and the book is illustrated with pen and ink drawings that he did en route.
It is a charming book, and a record of post-war Europe that seems a million
miles from France and Italy today. There are moments when he appears to
be spinning out his tales, to fill the pages and there is not much in
the way of narrative drive to keep the pages turning. But the book has
considerable charm and provides a more than pleasant means to pass away
and afternoon.
PS July 2008
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